Wayward Fire (Modern Art), the funky flame of a debut disc by The Chain Gang of 1974 (a.k.a. the versatile Kamtin Mohager), is a musical mash note to `80s synth pop from beginning to end. While the subject matter (a break-up) is no reason for dancing, TCG `74, keeps the beats free flowing and the funky bass line snapping. So what if you’re dancing with tears in your eyes, just try to keep your feet and pelvis still when you hear the mind-blowing “Hold On,” as well as “Devil Is A Lady,” “Taste of Heaven,” “Undercover,” “Ethical Drugs” and “Tell Me.” Mohager, another straight dude with a serious appreciation for the power of the BPM, has a bright future on the club circuit.
Godmother of punk and National Book Award-winning memoirist Patti Smith is feted with her first single disc retrospective Outside Society (Arista/Columbia/Legacy). Consisting of 18 tracks from her ten albums – from the groundbreaking Horses through the covers album Twelve -- representing more than 30 years of music, Outside Society may not have the scale of 2002’s Land, but it does bring the listener up to date where Patti is concerned.
As if to improve on imperfection, the 14-track Born This Way: The Remix (Streamline/Interscope) serves up remixes of nine of Born This Ways tired tunes, with a few songs appearing twice, as well as the BTW bonus cut “Black Jesus/Amen Fashion.” Some of the remixers do what remixers do best and that is to inflate and expand on the original versions. Such is the case with Foster The People’s remix of “The Edge of Glory,” the Guena LG Club Remix of “Scheiße,” Gregori Klosman’s remix of “Americano” and Twin Shadow’s remix of “Born This Way.” But the cracks really begin to show when the songs are slowed or stripped down. Those of us still waiting to see what Lady Gaga’s really made of probably have a long wait ahead.
Fox’s cash calf “Glee” hits a new low with the seventh installment of its “Glee: The Music” (Columbia) series of soundtracks. Uninspired performances combined with pointless song selection (“Hot For Teacher” and “Uptown Girl,” really?) earns this one an F. As covers of Coldplay’s “Fix You” go, the “Glee” rendition doesn’t hold a candle to the one performed by the senior citizens in the doc “Young @ Heart.” “Constant Craving” is too faithful to the original, although the duet on “Somewhere,” featuring Idina Menzel, isn’t too bad. But worst of all is the blatant (and uncredited rip-off) of Greg Laswell’s brilliant arrangement of the Cyndi Lauper hit “Girls Just Want to Have Fun,” originally heard is Laswell’s version on the “Confessions of a Shopaholic” OST (search it on You Tube). If McKinley was a real high school (and it’s good that it’s not), someone would be expelled for plagiarism.
In 1991, while the rest of the civilized world was embracing grunge, purveyed by the likes of Nirvana and Pearl Jam (led by Chicago native Eddie Vedder), the Chicago music scene sounded like it was still suffering from an `80s hangover. One of the biggest releases by a Chicago band, Material Issue’s International Pop Overthrow, even had a distinctly `80s Boston-band ring to it.
Paul McCartney’s intimate 1970 solo debut disc McCartney (MPL/Hear/Concord) opens with the sweet, if insubstantial, “The Lovely Linda,” and features a multitude of family-oriented photos, many of which were taken by his photographer wife, the late Linda McCartney. That’s something of a tipoff that McCartney was as interested in being a musician as he was in being a family man. As with each of the Beatles’ initial solo records, the guys sound determined to make their individual mark and McCartney is no exception. Solid selections such as “Every Night,” “Maybe I’m Amazed,” “Junk,” “That Would Be Something” and even “Teddy Boy,” grounds the disc, adding weight and room for the lighter tunes. The special two CD edition review includes a seven-track bonus disc with outtakes, live cuts and more.