The Narrow Door (Graywolf, 2016), Paul Lisicky’s new memoir, is an intimate and emotionally charged portrait of loss. Writing about the death of friend and writer Denise Gess and the end of his relationship with his partner the writer Mark Doty, Lisicky opens a personal door for readers to pass through and share in his life-altering experiences. Moving back and forth in time, while incorporating his commentary on singer/songwriter Joni Mitchell, Lisicky also makes it clear that he is a survivor; one who will live to love and write about life again. I spoke with Lisicky shortly before the publication of The Narrow Door.
Ryan Haase is certainly a man on the move in Baltimore theatre. As his theatre company embarks on a new adventure with the opening of their own space in December, I thought it would be good idea to sit down with him for a chat over a cup of coffee at Doobies in Mt. Vernon. So, here goes—two Ryan’s and lots of caffeine.
An Interview with Director Roland Emmerich
Roland Emmerich, known for action-packed blockbusters such as Independence Day, might not be the first name that comes to mind to direct a movie about the Stonewall riots, which marked the launch of the modern day LGBT rights movement as we know it. However, that didn’t prevent the openly gay filmmaker from trying his hand at making such a film. Featuring a screenplay by gay playwright Jon Robin Baitz, Stonewall (Roadside Attractions), tells the story of corn-fed Midwestern boy Danny (Jeremy Irvine), arriving in New York in June of 1969. Befriended by trans hustler Ray (Jonny Beauchamp), a.k.a. Ramona, Danny undergoes a personal transformation to become not only an openly gay man, but one who takes part in the famous Stonewall uprising. I spoke with Roland Emmerich about Stonewall shortly before it opened in theaters.
Josh Groban was born to sing show-tunes, something he does with grace and reverence on his new album Stages (Reprise). Groban’s respectful interpretations of songs from Les Miserables (“Bring Him Home”), Sunday In The Park With George (“Finishing The Hat”), Chess (“Anthem”) and Into The Woods and Sweeney Todd (the “Children Will Listen/Not While I’m Around” medley), among others, are beautifully rendered. A pair of duets, one with Kelly Clarkson on “All I Ask of You” from Phantom of the Opera and one with Audra McDonald on “If I Loved You” from Carousel, are also marvelous. Groban is embarking on a multi-city tour in the fall at which he will perform songs from Stages as well as favorites from his other recordings.
Meet Me Halfway (University of Wisconsin Press, 2015), the fiction debut by Jennifer Morales is subtitled “Milwaukee Stories.” Because of that, Milwaukee is as much a character in the book as high school students Johnquell and Taquan, Johnquell’s mother Gloria and his aunt Bee-Bee, elderly Frances and Mrs. Czernicki, dedicated teacher Mrs. Charles, or any of the people who populate Morales’ stories. Most of the stories are set in present-day Milwaukee, although “Prelude to a Revolution” takes us back to the late 1960s, setting the tone for the racially divided city of today. I spoke with Jennifer in April 2014 before she embarked on a book tour for Meet Me Halfway.
REACHING OUT TO THE GAY AND LESBIAN COMMUNITY?
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